Friday, June 14, 2013

(PORTFOLIO) Chapter Nineteen: New Piece

I love poetry. We didn’t really get a chance to work on it in class this year, but I still wrote several and put them up on my blog. I wrote this one especially for the portfolio. With poems, I usually create them as song lyrics, though I myself am not a song writer. I imagine little melodies that could go with them, that someone more skilled with music could write and figure out what notes best go with these words. This poem seemed perfect to include in my portfolio because it describes the emotions of someone ready to go on a journey, which is what all of us are about to do. My own personal journey will take me to college this fall, but after that, who knows? It’s exciting, and scary, and I’m not sitting on the sidelines anymore; I’m ready to start living in the thick of things.

Ready for Life

I wish to cry I wish to be burnt
I wish to bleed I wish to be spurned
By the love of my life at an altar filled with white
Roses, doves will never fly from the box, it makes me cry

I wish to feel I wish to do
I wish to be caught breaking all the rules
I wish to hear a fearsome noise
I wish to have cause to rejoice
But for that I must know what it’s like to let joy go
Being sad on a boat, waves and thunder, wet and soaked
It lets us know

I have yet to love I have yet to touch
I have yet to be broken and yet to be built up
So let’s begin, there’s the road, curtains open, start the show
Give me a sin, list of goals, check one off and scream “Oh, no!”
Oh no-o-o-o-o-o-oooooo…

I take a step I take a breath
One wants to live, one must forget
Must forgive their own sins, time’s only wasted if you admit

Up we split, no more gifts, lies and truths born from two lips. 

(PORTFOLIO) Chapter Eighteen: Artifact #3

          This is a revised version of my second flash fiction piece, which was very much based on emotion and character interactions. It was also very unfinished, very unsure of what it wanted to be. Originally I focused the story on Dana, but when rewriting the tale, I realized it worked better if Heather was our window into the story. I also refocused the story onto the time leading up to the surgery itself, which was difficult; I really want to follow up on the concept of a modern day, medically-created mermaid, but I think The Morning Of works better if the audience doesn't know if the surgery goes well. I wanted to make a story where plastic surgery isn't demonized nor glorified; it just is. This piece showcases my skills with dialogue, along with my love for mixing the supernatural with drama between characters. The fact that I resolved to return and edit this immediately after writing the original was the final sign that this revised piece belonged in my portfolio.

The Morning Of
         
          Heather looked out the window of her hospital room and smiled. She brushed a hair back and turned her head to look at the entrance to her room. Dana was supposed to be visiting soon. She had to hurry; the operation was only twenty minutes away. Less, hopefully. I need it to be less, I want to do it now.
          Dana suddenly entered her vision, dressed in grey and scarves and glasses and frizziness.
“Dana!” Heather cried out. Dana smiled and hugged her, then pulled up a chair.
“I’d offer you a coffee, but I’m guessing you can’t eat anything,” Dana apologized, sipping her latte. Heather shook her head.
“No, it’s okay. I’m so excited, I don’t even care.” Lattes were her favorite.
Dana looked up at the clock. “You’re still excited?”
“I’ve been excited every day for a month,” Heather said.
“Because if you’re not, Heather, it’s okay. You can still back out.” Dana’s mouth shifted to one side of her face, and she reached out a hand to Heather’s. “You can totally still back out. No one would blame you, it’s such a risky-“
“Dana,” Heather cut off, “ I want to do this. I’ve thought about it so much, and having this conversation one more time? It’s not good for either of us.” Heather smiled and squeezed Dana’s hand. “I’m ready for new adventures, Dana. I’m ready to go to places no one else has ever been, to be the first person to do this.”
“There are so many better ways to go about having adventures,” Dana said, her voice choking up a bit, “so many better ways.”
“There were so many better ways to…” Heather struggled to think of an analogy that would help Dana understand. Dana, blogger. Dana, tennis champion. Dana, physics major. “Beat the big scary Russians. There were lots of better ways to do that, but we went to the moon. I want to go to the moon, Dana.”
Dana’s tears fell freely now. “The moon was so much safer than this. They’d been planning for years.”
“They've been planning this for years, too. They've tested it on animals already, and it’s worked.”
“You’re not a rat, Heather…you’re my best friend.” She grabbed Heather with her arms and held her tight. “I-I’m sorry, I- I’m just really scared, I don’t want anything to-to-“
Heather hugged her back, whispering comfort until the doctors came to take her away. She said a little prayer that the surgery would work, and that Dana wouldn’t be too scared.
The operating room was filled with doctors, nurses, people in white and blue and violet.
“Count backwards from fifty, Heather,” said one doctor, masked…the voice was kind and familiar, though. “When you wake up, you’ll be…”

“…the world’s first mermaid,” Heather finished sleepily. She drifted into a future, full of hope and anesthesia. 

(PORTFOLIO) Chapter Seventeen: Artifact #2

Storm Marches was my third piece of flash fiction written for this class, and I’m quite proud of the story. It tells the tale of a lost soul looking for love, and while not intentionally written as a children’s story, the piece certainly has a child-like tone. I feel that this piece highlights my ability to use descriptive language. Indeed, it was almost too flowery initially, meaning I had to do a lot of editing; certain sentences ran on and on, while others contained awkward phrases that needed rewording. Many were repetitious in language and word choice, leaving nothing implied, so I think that Storm Marches benefited greatly from being revised for this portfolio.  

Storm Marches

          There once was a small fox named Grass Stone, tiny as a housecat with pointy ears like a dog. Grass Stone's ears were dipped in black ink, as were his paws and nose, but the rest of him was orange like clay. He had a skinny tail that wasn't quite as fluffy as he'd like it to be, and wide eyes.
          Grass Stone lived in an old, abandoned farmhouse near a road. He hadn't always lived there; a big park full of pine trees and large rocks was his first home. He had lived there with his mother and siblings, until they all got bigger and went their separate ways. Some days Grass Stone sat in the farmhouse and wished he could be with his litter again, curled up in a ball with lots of people who loved him.
          Sometimes a butterfly flew through the barn. Grass Stone liked to yip at it in the hopes that it would come down, all orange and black and spotted; maybe it would even stay with him for a night or two. The butterfly never did, nor the birds that made their home in the rafters for weeks at a time. The birds would make little eggs that became little birds, which grew and grew until they flew away again.
          Grass Stone curled up in the old hay every night and shut his eyes. He didn’t always go to sleep with a full belly. There was a pain in his chest most nights; it didn’t hurt like the scars from his fight with the stray cat. It was a strange pain, one that Grass Stone didn't know how to push away.
          One day Grass Stone woke up to find the orange, black, spotted butterfly resting on his knows. He immediately caught his breath, not wanting to disturb the little creature and scare it away. But Grass Stone was still a young, wild thing, and he couldn't stay still for long. Before the current family of little birds started chirping, Grass Stone had sneezed, and the butterfly burst into the air as if thrown up by a hurricane. It flitted away from Grass Stone, out of the abandoned farmhouse through a hole in the weathered planks. Grass Stone trotted after it, whining apologetically.
          He found himself slipping between the large, creaky doors. Had the butterfly been sleeping? Maybe it wanted to stay with the fox, it was just frightened by the loud noise of his sneeze. Grass Stone just had to let the butterfly know he hadn't sneezed on purpose, that was all.
          The morning light made his pupils grow like sunflowers. As he made his way through the tall grass surrounding the farmhouse, Grass Stone could feel dew pass from the stalks to his fur. It felt wet and clean, like a special bath. He thought of his mother, keeping him safe and keeping him clean.
          Up ahead, the butterfly made a loop around a telephone pole. Its pursuer tried to keep up, panting. The sun and the moon were both hovering in the sky on either side of the insect.
          At some point, Grass Stone realized his paws were dashing over hard, black ground. He stopped and looked down at the road, only to discover that it wasn't his road, not the one outside his old, abandoned farmhouse. It was wider, and a red car was racing towards him. Grass Stone yipped in fear and rushed across the remainder of the street, arriving on the other side just in the nick of time. The car sent out a rush of wind that buffeted his clay-colored fur like the breezes in his farmhouse field.

          Safe on the other side, Grass Stone was free to turn his head and look back at the wide road, black as night with markings as yellow as a dandelion and whiter than the moon. Splatters of rain gushed out of the road's surface , even as more struck . Grass Stone, unsure of where he was, turned around and looked for the butterfly.

          He saw a green hill spotted with powdery white flowers. It sloped down into a flowing creek, bordered by dark brown dirt on one side and a small clay cliff on the other. A grove of oak trees protected part of the creek from the storm brewing above. Grass Stone tentatively made his way through the flowers and grass and rain to the creek, where he bent his head and slowly lapped up the water. The surface, protected by tree branches, was smooth, so Grass Stone could clearly see movement reflected in it. He looked up in surprise and fear.

          On the small clay hill were three foxes. They were all very wet, but they stood up straight, their eyes shining with curiosity. One of them, whose ears were angled a bit further back than most foxes, crept towards the edge of the hill and looked down at him. Grass Stone's eyes closed shut in fear.

          He didn't hear the fierce growl he expected, but instead a soft cry. His eyes opened up, and he saw the two other foxes side by side with the first. They all watched him and whined. Grass Stone didn't understand until he saw the orange and black butterfly flapping above their heads. His tail began to wave as he splashed across the creek and up the clay hill, where the other foxes started to yip happily. 


(PORTFOLIO) Chapter Sixteen: Artifact #1

My children’s story, and first artifact, is called The Fairy and the Centaur, and belongs in my portfolio because it’s a perfect example of something I want to do with my writing: change how people think. The written word is a powerful tool for changing people’s minds, and in this story I strive both to entertain and to share a history-inspired allegory. The children who read this book won’t be old enough to remember the events that inspired it, but I hope it still teaches them to think before being afraid. To prepare it for my portfolio, I followed the advice of my classmates from our peer editing sessions and changed many sentences, in order to lessen repetition and leave out unnecessary information. I hope everyone who reads this knows that there’s nothing wrong with being wrong, so long as one learns from the experience. 

Page Number
Text
1
Copyright page
2, 3
Title page (“The Fairy and the Centaur”); Dedication page (“To everyone who was wrong.”)
4
Far away, but closer than you might think, is a great, green valley filled with thick forests, rushing rivers and crystal-clear ponds.
5
The valley is home to two kinds of people: the centaurs, half-human and half-horse, and the fairies, tiny people with dragonfly wings that zoom this way and that, leaving magic wherever they go.
6
Today, the fairies and centaurs get along very well, but it wasn’t always so. Once, not as long ago as you might think, a nasty fairy called the Lightning Fairy appeared. He had bright yellow hair that went this way and that, and angry, dark eyes.
7
The Lightning Fairy hated all centaurs. No one quite knew why, though many tried to figure it out. For whatever reason, the Lightning Fairy took a magic spell and put it in a pond where some centaurs liked to drink. He flew off, cackling away into the night.
8
The magic spell made the next centaur to drink from the pool grab his stomach and moan. A fever gripped his body, while chills shook him back and forth. Some of his friends gave him medicine, while the other centaurs wondered how he got sick.
9
“That pond has never made anyone sick before,” said the Eldest Centaur. She had long white hair, fierce eyebrows, and a strong horse half as brown as a chestnut. “Someone must have cast a spell on it!”
10
“The only people who can do that are the fairies!” called one centaur.
“It was the Lightning Fairy! I saw him do it!” shouted her friend.
The angry centaurs looked at their leader, and the Eldest Centaur looked back at them. “From this day forth, I declare all fairies enemies of the centaurs!” she roared.
11
Meanwhile, the fairies had captured the Lightning Fairy and taken him to their sacred home underneath a waterfall. “Send him to the Enchanted Prison!” declared the Council of Fairies. The Enchanted Prison was high up in the sky within a dark storm cloud. He wouldn’t be able to hurt anyone else there.
12
Just after the Lightning Fairy was taken away, a young fairy named the Cloud Fairy rushed in, gasping for breath. She had short black hair, and wherever she flew, wispy white clouds followed.
13
“What is it, child?” the Fairy Council asked the Cloud Fairy. She took a deep breath and said, “The centaurs are angry because of what the Lightning Fairy did! They’ve declared us their enemies!” All the fairies gasped and became very afraid.
14
Back at the centaurs’ pond, all of the centaurs were feeling very angry and, strangely enough, afraid…all except for one: the Littlest Centaur, who was feeling quite confused.
15
“Only the Lightning Fairy poisoned the pond, right?” she wondered. “So then…why are we so mad at all of the other fairies, too? It doesn’t make sense.”
16
The Littlest Centaur decided to go for a gallop in the woods to clear her head. Her tiny hooves beat against the ground. Soon she became tired and stopped for a rest near a sandy cliff overlooking a vast river.
17
That sandy cliff also happened to be the thinking spot of the Cloud Fairy, who was sitting on a rock, trying to decide what to do about the problem. How could she show the centaurs that fairies weren’t all bad? Would they ever believe her?
18
For a very long time, both of the young people sat and thought in silence, not noticing each other, struggling to come up with a good solution.
19
Twenty minutes before sunrise, when even the most playful stars were getting ready to go back to bed, the Littlest Centaur and the Cloud Fairy realized the same thing: “The centaurs are only angry because they’re afraid!” they exclaimed.
20
The Littlest Centaur and the Cloud Fairy both jumped a little, surprised to realize someone else was there.
“Who are you?” asked the Littlest Centaur.
“The Cloud Fairy,” said the Cloud Fairy.
“I’m the Littlest Centaur,” said the Littlest Centaur.
21
“Are you centaurs really afraid of us?” asked the Cloud Fairy, once the introductions were in order.
“We are,” answered the Littlest Centaur. “See, we don’t talk to fairies much. To be honest, we don’t know that much about you. So when the Lightning Fairy poisoned the pond, when he acted like he hated us…we thought you were all like that. We thought you all hated us.”
22
The Cloud Fairy listened, and thought about what her new friend had said before replying. “Well, we’re not all like him…we’ve got our bad eggs, but don’t you--the centaurs—too?”
The Littlest Centaur thought of a few nasty centaurs and nodded. “Yes, we’ve got our ‘bad eggs,’ too.”
23
The Cloud Fairy and the Littlest Centaur decided they had to go explain things to everyone. The Littlest Centaur went home and told all of her friends and family to gather in a meadow, while the Cloud Fairy convinced the Fairy Council to fly there.
24
When the Eldest Centaur saw the fairies, she hissed and stomped her legs. “Why have you come here, fairies?” she demanded. “You’re not welcome here! We won’t allow you to hurt us again, not now that we know what you’re really like!”
25
The Littlest Centaur took a deep breath, then put on a fierce face and stomped her hooves to get everyone’s attention. “No,” she said bravely, “you know what one fairy is like.”
26
On the Littlest Centaur’s shoulder landed the Cloud Fairy, fluttering down and beginning to speak. She managed to be quite loud, for a fairy. “What the Lightning Fairy did was horrible,” she began, “but only one fairy did that.”
27
“He is not a good person. But that doesn’t mean all fairies are like him. We are a peaceful people, like you centaurs! We love the forest, and we love our families and friends.”
28
“Some people are nice, and some are mean. But you can’t decide someone is bad just because they’re a fairy,” the Cloud Fairy finished, gazing at the centaurs, “or because they’re a centaur.” She looked at the Fairy Council, then became silent.
29
The Fairy Council and the centaurs listened to what the Cloud Fairy had to say, and thought about it for a few moments. Then they all shook hands and decided to live as friends, not enemies.
30
From that day on, the fairies and the centaurs lived together in the great, green valley, flying and running through the woods…
31
…and it was all possible because a young fairy and a young centaur figured out something very important, and shared it with everyone they knew.
32
About the Author page.

(PORTFOLIO) Chapter Fifteen: Letter to the Reader

Letter to the Reader

Writing can be scary. It sounds silly, doesn’t it? After all, it’s just putting words down on paper. It’s just taking ideas out of one’s head and getting them out there for the world to see. At the same time, there’s something terrifying about that. What if the readers don’t like what one writes? What if they think a piece is bad? With all of these thoughts spinning around in my head, it’s no wonder that I don’t write as much as I should. However, during the second semester of my senior year of high school, I took a class called “Creative Writing” that taught me something incredibly important: writing is about taking risks.

Back at the beginning of the course, we watched several interviews with published authors who explained the importance of practicing writing. Writing, as they put it, is a skill like any other, and must be worked with every day in order to improve. No one is just going to write something amazing the first time, just as no wannabe basketball player will make their very first basket, nor will a new violinist play a beautiful sonata by memory the first time they pick up an instrument. Many of these writers carry around writing notebooks, so that they can write whenever and wherever is good for them. Some of the packets we read at the start of the course emphasized the importance of having a set time for writing every day, in order to add it to one’s routine. All of these tips really hit home for me: I am not going to write a bestselling novel in one sitting. I am not going to create my masterpiece the first go around. I need to work at writing and hone my skills, which is a scary thing to do but a risk worth taking.

All of the risk that I took this year paid off, even if it’s not very clear how. Even the pieces I wrote this year that didn’t come out as well as I’d like taught me ways to improve my writing. For instance, my second attempt at flash fiction—the original, unedited version of The Morning Of—taught me that point of view, even in a third person story where point of view isn’t as obvious, is critical. A story might work if told from one character’s perspective (as that tale did from Heather’s point of view) but fall flat from someone else’s eyes, as the original version of The Morning Of did. My fifth attempt at flash fiction fell through because I hadn’t planned it out enough; I didn’t really know who Lila or Reese were as characters, and while I knew the mystery behind the golden apple, I didn’t know how the they should factor into it. Writing that story taught me that even if a writer wants to let the characters create a story, or if she or he wants to see how a narrative develops as they write, there must always be some degree of planning, however small. Without a big enough sense of direction, the story can’t go anywhere, and that is critical.

Other risks I took both helped me grow as a writer and made for good stories. My children’s story, The Fairy and the Centaur, managed to tell an allegorical story without being overly preachy. I’m not a fan of the Cloud Fairy’s speech being three pages long, but I think with a good illustrator, those pages could remain interesting for the readers while delivering their message. However, this story, along with my third piece of flash fiction, Storm Marches, reminded me of one of my recurring writing flaws: I often write long sentences with repetitious adjectives and unneeded adverbs. It’s as if I’m trying to prove my writing skills to the audience, and it’s something that I need to work on. However, with Storm Marches and The Fairy and the Centaur, rereads, editing, and peer reviews proved to be useful tools to correcting this problem. Both of these stories also happened to be prose fiction, which I’m often afraid to write. I sometimes feel scared that I don’t know the characters well enough, that I haven’t planned far enough ahead, that I don’t have a tone down for each character and passage. However, through writing these two pieces of fiction, along with my first and fourth pieces of flash fiction (Cold and Cool  and Something Strange, Something New respectively), I learned that when it comes to prose, I just have to practice. It’s the only way I can ever improve, and I can always return to edit the pieces later.

I’m very proud of my portfolio. It shows my progression through the realms of prose and flash fiction, along with small poems that I’m very happy with. When I write poetry, I try to channel emotions into words that others can connect to and find new meaning in. I think that the poems, combined with my flash fiction, helps show who I am as a writer: someone intrigued by both the ordinary and the strange, someone who wants to connect the two, just as my blog connects poems to prose. My blog and portfolio show that I’m already strong when it comes to poetry, but that I have lots of room to grow in the realm of prose fiction. It’s a skill that I can’t wait to develop.

I’m very glad that I took this course, because it helped me to take risks and helped me to start this blog. I plan on continuing to update it with poems, flash fiction…maybe even some longer, ongoing serial stories. I hope that the readers are inspired to write something of their own, because it really is the most marvelous feeling in the world to look back and see how far one has come, and how far one can go.

Respectfully,

Joseph Drake

Monday, June 3, 2013